[Review] QWER’s ‘Algorithm’s Blossom’ album offers a somber, nostalgic sound that blooms hope – Asian Junkie

Following their enjoyable pre-release observe “FAKE IDOL”, QWER have launched their second mini album Algorithm’s Blossom boasting eight tracks with an enormous array of creditsfrom band members Lee Siyeon and Magenta, it’s a reasonably nostalgic and fairly somber romp that I wasn’t anticipating from them. Jeon Soyeon additionally lends to being the lyricist/composer for the title observe “My Title Is Malguem” which after her cameo on the “FAKE IDOL” MV ought to come at no shock, and actually she delivers not solely a fantastic title observe but in addition a deep nostalgic craving for days previous.

“My Title Is Malguem” on first hear was in no way what I used to be anticipating kind the title observe whereas the observe begins off such as you’d anticipate QWER to blow up right into a nostalgic vibrant mid 2000’s sound. What then happens simply moments into the observe because the lyrics shift to a extra somber tone, it quickly turns into clear “My Title Is Malguem” is a robust track about overcoming the ache after letting out your bottled up feelings and taking that first inital step ahead.

QWER having Hina on keyboard for this observe whereas Siyeon is on guitar and vocals isn’t one thing new for them, nevertheless it matches the dynamic of the track so properly. Nearly a minute in and we get to listen to Chodan are available in with verse that splendidly breaks up Siyeon’s melodic refrain. The composition right here of swapping from members Magenta then Hina because the track begins to fill again into Siyeon’s hopeful vocals tear at your feelings earlier than ending on the songs upbeat melody.

Whereas the title observe was not what I used to be anticipating I’m totally happy with it, on repeat listens it will get somewhat extra addictive every time like a drama intro you simply can’t skip it doesn’t matter what episode you’re on.

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Now figuring out how the title observe shakes issues up, I’m actually glad they launched “Pretend Idol” as a prelease, however I’d be mendacity if I didn’t say “REBOUND” grew to become the track I used to be on the lookout for this mini album. It has all of the hallmarks of that iconic QWER rock sound with hints of nostalgic J-rock guitar tones all through. Critically, give it a shot for those who’re somebody that doesn’t take heed to B-sides a lot!

“Let’s Love” begins off with a very enjoyable groove bassline earlier than shifting into probably the most pop centric track on the mini, however that bassline buzzing all through is the star of the present for me. Siyeon’s vocal’s all through are a absolute delight as she’s belting the refrain on this enjoyable energy pop observe. “run! run! run!” my god what a enjoyable track this one is, first one other enjoyable bass intro that leads us into the primary portion of the track. Magenta and Chodan steal the present with this observe and actually I need a MV and to see them carry out this reside, from Magenta’s bass to Chodan’s vocals that is probably the most addictive observe on the album for me.

Lastly we’ve got the ballad of the album, “Goodbye My Unhappiness“. Siyeon’s vocals are working time beyond regulation on this one, like “Concord within the Stars”‘ and “Ferris Wheel” on the prior releases Siyeon’s voice conveys such a emotional bereavement. The distinction from their regular highly effective rock and pop tracks to their ballads is astonishing, Siyeon’s voice actually ship’s a real emotional journey all through the observe.

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As I acknowledged with “FAKE IDOL“, QWER have been quickly since debut whether or not you see the members working towards their devices on their respective livestreams, or watching the handcam footage of their go professional’s mounted on their guitars. Their dedication exhibits on the album, each track from entrance to again is addictive and most may even argue to be title observe worthy. Chodan’s drumming satisfying with these tasty fills and rolls all through, to Magenta’s vital enchancment on bass in the meantime Hina’s guitar and piano work are wonderful particularly on “REBOUND”. Lastly Siyeon each on vocals and guitar brings a lot weight and affect on their sound it’s fairly astonishing to go from songs like “FAKE IDOL” to “Goodbye My Unhappiness” in the identical album.

‘Algorthm’s Blossom’ is solely unimaginable from entrance to again, I used to be fearful after ‘MANITO’ how would they reply with their subsequent launch. QWER is displaying that they’re a critical group to watched, it been a pure pleasure to see them develop as a idol group earlier than us. I can not wait to see them carry out these songs reside wether that be on a pageant stage or on their YouTube channel, be sure to give each track no less than one hear you’re sure to seek out one thing that’ll resonate with you. For now although, we’ve got this superior mini album to take pleasure in whereas we wait for his or her subsequent efficiency.